Shiva as Lord of Music (c. 1000): Art, History and Details
Shiva as Lord of Music at the Cleveland Museum of Art: c. 1000, bronze. Explore the work's context, creator attribution and collection history.
Art & Design archive — Page 240
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The Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra (1279): Art, History and Details
The Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra at the Cleveland Museum of Art: 1279, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection
Monk Teaching Lay Disciple: Colophon page from a Kalpa-sutra and Story of Kalakacharya of Devachandra (1279): Art, History and Details
Monk Teaching Lay Disciple: Colophon page from a Kalpa-sutra and Story of Kalakacharya of Devachandra at the Cleveland Museum of Art: 1279, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection his
Folio 141, from a Kalpa-sutra and Story of Kalakacharya: Text (recto); Monk Holding a Flower Venerated by a Lay disciple (verso) (1287): Art, History and Details
Folio 141, from a Kalpa-sutra and Story of Kalakacharya: Text (recto); Monk Holding a Flower Venerated by a Lay disciple (verso) at the Cleveland Museum of Art: 1287, Gum tempera and ink on palm leaf. Explore the work's context, creator att
Folio 141 (recto), from a Kalpa-sutra and Story of Kalakacharya (1287): Art, History and Details
Folio 141 (recto), from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1287, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection history.
Monk Holding a Flower Venerated by a Lay Disciple: Folio 141 (verso), from a Kalpa-sutra and Story of Kalakacharya (1287): Art, History and Details
Monk Holding a Flower Venerated by a Lay Disciple: Folio 141 (verso), from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1287, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and c
Folio 2 from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri: Monk preaching to a disciple with a lay audience (recto); Text (verso) (c. 1275–1300): Art, History and Detai
Folio 2 from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri: Monk preaching to a disciple with a lay audience (recto); Text (verso) at the Cleveland Museum of Art: c. 1275–1300, Gum tempera and ink on palm leaf
Monk preaching to a disciple with a lay audience, folio 2 (recto) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri (c. 1275–1300): Art, History and Details
Monk preaching to a disciple with a lay audience, folio 2 (recto) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri at the Cleveland Museum of Art: c. 1275–1300, Gum tempera and ink on palm leaf. Explore the
Text, folio 2 (verso) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri (c. 1275–1300): Art, History and Details
Text, folio 2 (verso) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri at the Cleveland Museum of Art: c. 1275–1300, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and coll
Folio 167, from a Kalpa-sutra and Story of Kalakacharya: two nuns teaching lay women (recto); genealogical text (verso) (1278): Art, History and Details
Folio 167, from a Kalpa-sutra and Story of Kalakacharya: two nuns teaching lay women (recto); genealogical text (verso) at the Cleveland Museum of Art: 1278, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution
Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya (1278): Art, History and Details
Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1278, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collect
Genealogical text, folio 167 (verso) from a Kalpa-sutra and Story of Kalakacharya (1278): Art, History and Details
Genealogical text, folio 167 (verso) from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1278, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection history.
Rishabha enthroned, folio 1 (verso) from a Yoga-shastra of Hemachandra (c. 1275): Art, History and Details
Rishabha enthroned, folio 1 (verso) from a Yoga-shastra of Hemachandra at the Cleveland Museum of Art: c. 1275, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection history.
Folio 22 from a Yoga-shastra of Hemachandra: Jain Monk with disciple and two laymen, two Nuns, and a laywoman (recto); Text (verso) (c. 1275): Art, History and Details
Folio 22 from a Yoga-shastra of Hemachandra: Jain Monk with disciple and two laymen, two Nuns, and a laywoman (recto); Text (verso) at the Cleveland Museum of Art: c. 1275, Gum tempera and ink on palm leaf. Explore the work's context, creat
Folio 1, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka (1428): Art, History and Details
Folio 1, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka at the Cleveland Museum of Art: 1428, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collecti
Folio 2, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka (1428): Art, History and Details
Folio 2, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka at the Cleveland Museum of Art: 1428, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collecti
Lily and Butterflies (1300s): Art, History and Details
Lily and Butterflies at the Cleveland Museum of Art: 1300s, Hanging scroll; ink on silk. Explore the work's context, creator attribution and collection history.
Amorous Couple (Mithuna) (400s): Art, History and Details
Amorous Couple (Mithuna) at the Cleveland Museum of Art: 400s, terracotta. Explore the work's context, creator attribution and collection history.
Standing Female Deity (900s): Art, History and Details
Standing Female Deity at the Cleveland Museum of Art: 900s, stone. Explore the work's context, creator attribution and collection history.
Funerary Panel of a Man (about 138–92 CE): Art, History and Details
Funerary Panel of a Man at the Cleveland Museum of Art: about 138–92 CE, encaustic on linen. Explore the work's context, creator attribution and collection history.
Funerary Portrait of a Woman (c. 138–92 CE): Art, History and Details
Funerary Portrait of a Woman at the Cleveland Museum of Art: c. 138–92 CE, encaustic on linen. Explore the work's context, creator attribution and collection history.
Funerary Portrait of a Young Girl (c. 25–37 CE): Art, History and Details
Funerary Portrait of a Young Girl at the Cleveland Museum of Art: c. 25–37 CE, encaustic on linden wood. Explore the work's context, creator attribution and collection history.
Vase with Golden Pheasants (1736–95): Art, History and Details
Vase with Golden Pheasants at the Cleveland Museum of Art: 1736–95, porcelain painted in polychrome enamels over transparent glaze. Explore the work's context, creator attribution and collection history.
Malagan Memorial Festival Pole (1800s): Art, History and Details
Malagan Memorial Festival Pole at the Cleveland Museum of Art: 1800s, painted wood, sea snail opercula. Explore the work's context, creator attribution and collection history.
Ancestral Figure (1800s): Art, History and Details
Ancestral Figure at the Cleveland Museum of Art: 1800s, painted wood with fiber and tapa cloth. Explore the work's context, creator attribution and collection history.
Male Ancestor Figure (before 1930): Art, History and Details
Male Ancestor Figure at the Cleveland Museum of Art: before 1930, limestone. Explore the work's context, creator attribution and collection history.
Tapa Cloth Beater (l'e kuku) (before 1930): Art, History and Details
Tapa Cloth Beater (l'e kuku) at the Cleveland Museum of Art: before 1930, wood. Explore the work's context, creator attribution and collection history.
Lime Spatula (before 1930): Art, History and Details
Lime Spatula at the Cleveland Museum of Art: before 1930, wood. Explore the work's context, creator attribution and collection history.
Club (before 1930): Art, History and Details
Club at the Cleveland Museum of Art: before 1930, wood. Explore the work's context, creator attribution and collection history.
Saint Martin and the Beggar (early 1500s): Art, History and Details
Saint Martin and the Beggar at the Cleveland Museum of Art: early 1500s, gilt bronze. Explore the work's context, creator attribution and collection history.
Red Amida (1300s): Art, History and Details
Red Amida at the Cleveland Museum of Art: 1300s, hanging scroll; ink, color, and gold on silk. Explore the work's context, creator attribution and collection history.
Terminus, the Device of Erasmus (c. 1532): Art, History and Details
Terminus, the Device of Erasmus at the Cleveland Museum of Art: c. 1532, oil on wood. Explore the work's context, creator attribution and collection history.
Portable Buddhist Temple (900s): Art, History and Details
Portable Buddhist Temple at the Cleveland Museum of Art: 900s, Kaolin with traces of pigment. Explore the work's context, creator attribution and collection history.
Inkstone in the Form of a Koto (1600s): Art, History and Details
Inkstone in the Form of a Koto at the Cleveland Museum of Art: 1600s, Stoneware with underglaze iron decoration (Shino ware, Mino type). Explore the work's context, creator attribution and collection history.
Apothecary's Bottle (1670s): Art, History and Details
Apothecary's Bottle at the Cleveland Museum of Art: 1670s, porcelain with underglaze blue and overglaze color enamels (Hizen ware, Arita type). Explore the work's context, creator attribution and collection history.
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana (c. 1525–40): Art, History and Details
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana at the Cleveland Museum of Art: c. 1525–40, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Ravana Shaking Mount Kailasa (700s): Art, History and Details
Ravana Shaking Mount Kailasa at the Cleveland Museum of Art: 700s, sandstone. Explore the work's context, creator attribution and collection history.
Glaucus and Scylla (c. 1661): Art, History and Details
Glaucus and Scylla at the Cleveland Museum of Art: c. 1661, etching. Explore the work's context, creator attribution and collection history.
Field with Young Trees in the Foreground (c. 1907): Art, History and Details
Field with Young Trees in the Foreground at the Cleveland Museum of Art: c. 1907, oil on paper laid on board. Explore the work's context, creator attribution and collection history.
Two Angels and Cherubs Bearing an Icon of Christ (c. 1670–80): Art, History and Details
Two Angels and Cherubs Bearing an Icon of Christ at the Cleveland Museum of Art: c. 1670–80, terracotta. Explore the work's context, creator attribution and collection history.