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Fragment of a Border with Vines and Floral Motifs at the Cleveland Museum of Art: 1600s, Bleached and blue dyed linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction) and bobbin lace edging. Explore the work's c
Fragment of a Border with Standing and Seated Birds Amidst Vegetation at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator attribu
Fragment of a Band with Confronted Birds, a Formal Tree, and Smaller Animals at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator
Fragment of a Band with Dragon, Castle, and Vegetation at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator attribution and collec
Fragment of a Band with Winding Design and Tendrils at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one and two directions); bleached linen (est.). Explore the work's cont
Chalice Veil with Monogram of Christ at the Cleveland Museum of Art: 1500s, Bleached linen(?): needle lace (mezza mandolina) with red silk thread. Explore the work's context, creator attribution and collection history.
Fragment with Repeated Square Pattern at the Cleveland Museum of Art: 1500s–1600s, Bleached, dyed, and unbleached linen (est.): needle lace; filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attr
Fragment of a Band with Male Figure Leading Mounted Female Figure with Falcon at the Cleveland Museum of Art: 1500s–1600s, Bleached linen (est.): needle lace; filet/lacis (knotted ground and darned in two directions). Explore the work's con
Fragment of a Band with Vines Surrounding a Monkey, Lion, and an Unidentified Four-Legged Animal at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore t
Panel with Birds, Flowers, and Suns at the Cleveland Museum of Art: 1500s–1600s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution and collection h
Fragment of a Band with Vine Scroll and Leaves at the Cleveland Museum of Art: 1500s–1600s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution and c
Lace Collar at the Cleveland Museum of Art: 1560–1600, Linen; needle lace (cutwork and reticella) and bobbin lace edging. Explore the work's context, creator attribution and collection history.
Pair of Lace Lappets at the Cleveland Museum of Art: 1700–1740, Silk: needle lace (Burano Point). Explore the work's context, creator attribution and collection history.
Fragment of a Border with Repeated Pattern of Fantastic Winged Animals at the Cleveland Museum of Art: 1500s–1600s, Bleached linen: needle lace, burato (twined ground and darned in two directions) and fringe. Explore the work's context, cre
Fragment with Animal and Vegetal Motifs at the Cleveland Museum of Art: 1500s, Unbleached and bleached linen (est.): needle lace, burato (twined ground and darned in two directions). Explore the work's context, creator attribution and colle
Fragment of a Border with Floral Vine and Geometric Patterns at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, burato (twined ground and darned in two directions) and reticella. Explore the work's context, creator a
Band with Parade of Human Figures, Stags, and Other Fantastic Animals at the Cleveland Museum of Art: 1500s-1600s, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator a
Band with Figures of Women and Angels at the Cleveland Museum of Art: 1500s–1600s, Bleached linen: needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution and collection histor
Lace Lappet at the Cleveland Museum of Art: 1700–1720, Bobbin lace. Explore the work's context, creator attribution and collection history.
Lace Lappet at the Cleveland Museum of Art: 1700s, Bobbin lace (Valenciennes). Explore the work's context, creator attribution and collection history.
Rocky River Bridge at the Cleveland Museum of Art: before 1920, etching. Explore the work's context, creator attribution and collection history.
A Royal Picnic on a Terrace at the Cleveland Museum of Art: c. 1620, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Oval portrait of a woman in a Chaghtai hat at the Cleveland Museum of Art: c. 1740–50, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Shah Jahan at the Cleveland Museum of Art: c. 1630, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Trial Piece Worked on Both Sides at the Cleveland Museum of Art: c. 1391–1353 BCE, limestone. Explore the work's context, creator attribution and collection history.
Trial Piece Worked on Both Sides at the Cleveland Museum of Art: c. 1391–1353 BCE, limestone. Explore the work's context, creator attribution and collection history.
Trial Piece Worked on Both Sides at the Cleveland Museum of Art: c. 1391–1353 BCE, limestone. Explore the work's context, creator attribution and collection history.
Fragment of an Inlay Headdress at the Cleveland Museum of Art: c. 1353–1295 BCE, lavender blue faience with deep blue overglaze. Explore the work's context, creator attribution and collection history.
Stele of Djedatumiufankh at the Cleveland Museum of Art: 664–525 BCE, brown quartzite. Explore the work's context, creator attribution and collection history.
Naophorous Statue of the Finance Officer and Overseer of Fields, Horwedja at the Cleveland Museum of Art: 521–486 BCE, graywacke. Explore the work's context, creator attribution and collection history.
Relief of a King at the Cleveland Museum of Art: 664–525 BCE, limestone. Explore the work's context, creator attribution and collection history.
Black-Topped Beaker at the Cleveland Museum of Art: c. 4000–3500 BCE, Nile silt pottery. Explore the work's context, creator attribution and collection history.
Wavy-Lined Jar at the Cleveland Museum of Art: 4000–3000 BCE, marl clay pottery. Explore the work's context, creator attribution and collection history.
Squat Jar with Lug Handles at the Cleveland Museum of Art: c. 3400–3300 BCE, marl clay pottery. Explore the work's context, creator attribution and collection history.
Arched Sistrum at the Cleveland Museum of Art: 380–343 BCE, bronze, hollow cast. Explore the work's context, creator attribution and collection history.
Vulture Headdress Inlay at the Cleveland Museum of Art: 100–1 BCE, gold and semi-precious stones. Explore the work's context, creator attribution and collection history.
Lintel of Enseperi at the Cleveland Museum of Art: 2454–2311 BCE, limestone. Explore the work's context, creator attribution and collection history.
Relief of Hatshepsut or Tuthmosis III at the Cleveland Museum of Art: 1479–1425 BCE, painted limestone. Explore the work's context, creator attribution and collection history.
Decorated Amphora with Ibex Head at the Cleveland Museum of Art: before 1920 this is common era, not BCE, marl clay ware. Explore the work's context, creator attribution and collection history.
Votive Head of a King at the Cleveland Museum of Art: 305–246 BCE, limestone. Explore the work's context, creator attribution and collection history.