Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Gardiner's Bay, Long Island, seen from Fresh Pond at the Cleveland Museum of Art: 1881, etching. Explore the work's context, creator attribution and collection history.
Box with Painted Oxhorn at the Cleveland Museum of Art: 1800s, painted wood with flattened ox-horn inlay. Explore the work's context, creator attribution and collection history.
Heroic Head of Pierre de Wissant, One of the Burghers of Calais at the Cleveland Museum of Art: 1886, bronze. Explore the work's context, creator attribution and collection history.
Late Evening at the Cleveland Museum of Art: before 1920, mezzotint. Explore the work's context, creator attribution and collection history.
Segawa Kikunojō III as Teruha at the Cleveland Museum of Art: 1778, color woodblock print. Explore the work's context, creator attribution and collection history.
Eros, the God of Love at the Cleveland Museum of Art: 1–100 CE, marble. Explore the work's context, creator attribution and collection history.
Mirror with Engraved Scene: Man Threatening Child (Telephos and Orestes?) at the Cleveland Museum of Art: c. 330–300 BCE, bronze. Explore the work's context, creator attribution and collection history.
Mold for a Male Head at the Cleveland Museum of Art: 1–300 CE, terracotta. Explore the work's context, creator attribution and collection history.
Seated Figure of a Woman at the Cleveland Museum of Art: 1–200 CE, marble. Explore the work's context, creator attribution and collection history.
Darkware Vessel at the Cleveland Museum of Art: late 1400s, black ware. Explore the work's context, creator attribution and collection history.
Tetradrachm: Head of Athena (obverse); Owl (reverse) at the Cleveland Museum of Art: 480–449 BCE, silver. Explore the work's context, creator attribution and collection history.
Tetradrachm: Owl, Crescent Moon, Olive Branch (reverse) at the Cleveland Museum of Art: 480–449 BCE, silver. Explore the work's context, creator attribution and collection history.
Virgin and Child at the Cleveland Museum of Art: c. 1475–1485, marble. Explore the work's context, creator attribution and collection history.
The Old Market, Cleveland at the Cleveland Museum of Art: 1920, gouache. Explore the work's context, creator attribution and collection history.
On the Quay at the Cleveland Museum of Art: c. 1919, etching. Explore the work's context, creator attribution and collection history.
The Omnibus at the Cleveland Museum of Art: c. 1919, etching. Explore the work's context, creator attribution and collection history.
Transenna Post at the Cleveland Museum of Art: 700s–800s, marble. Explore the work's context, creator attribution and collection history.
Transenna Post at the Cleveland Museum of Art: 700s-800s, marble. Explore the work's context, creator attribution and collection history.
Transenna Post at the Cleveland Museum of Art: 700s-800s, marble. Explore the work's context, creator attribution and collection history.
Transenna Post at the Cleveland Museum of Art: 700s-800s, marble. Explore the work's context, creator attribution and collection history.
Transenna at the Cleveland Museum of Art: 700s-800s, marble. Explore the work's context, creator attribution and collection history.
After the Bath at the Cleveland Museum of Art: 1901, pastel. Explore the work's context, creator attribution and collection history.
Pharmacy Jar (Albarello) at the Cleveland Museum of Art: c. 1550–70, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Cup with Dragon Handles at the Cleveland Museum of Art: 1662–1722, Pale gray-green white jade. Explore the work's context, creator attribution and collection history.
Portrait of Mrs. George Collier at the Cleveland Museum of Art: 18th century, oil on canvas. Explore the work's context, creator attribution and collection history.
Courtesan Dreaming of her Childhood at the Cleveland Museum of Art: c. 1770, Woodblock print; ink and color on paper. Explore the work's context, creator attribution and collection history.
Ichikawa Monnosuke II as Soga no Gorō at the Cleveland Museum of Art: 1779, color woodblock print. Explore the work's context, creator attribution and collection history.
Border with Renaissance Motif at the Cleveland Museum of Art: 1800–1840, Bleached linen (est.): needle lace, machine-made burato (twined ground and darned in one direction). Explore the work's context, creator attribution and collection his
The Abbey Farm (La Ferme de l'abbaye) at the Cleveland Museum of Art: c. 1893, etchingand drypoint. Explore the work's context, creator attribution and collection history.
At the Fortifications, Porte de Versailles at the Cleveland Museum of Art: 1898, etching. Explore the work's context, creator attribution and collection history.
The Boat in Conflans at the Cleveland Museum of Art: 1866, etching on chine collé. Explore the work's context, creator attribution and collection history.
Landscape at the Cleveland Museum of Art: 1870–84, watercolor and gouache with graphite and traces of black chalk. Explore the work's context, creator attribution and collection history.
Fragment of a Border with Repeated Pattern of Fantastic Winged Animals at the Cleveland Museum of Art: c. 1550–1600, Bleached linen (est.): needle lace, burato (twined ground and darned in two directions). Explore the work's context, creato
Lace Insertion and Edging at the Cleveland Museum of Art: 1600s–1700s, Bobbin lace. Explore the work's context, creator attribution and collection history.
Fragment of a Band with Abstract Pattern at the Cleveland Museum of Art: 1500s, Bleached linen: needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator attribution and collection history.
Fragment of a Band with Birds and Trees at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator attribution and collection history.
Fragment of a Border with Abstract Pattern at the Cleveland Museum of Art: 1500s, Unbleached and bleached linen (est.), or cotton (est.): needle lace, burato (twined ground and darned in one direction); brown silk (est.): bobbin lace edging
Fragment with Wide Circular Pattern at the Cleveland Museum of Art: 1500s–1600s, Bleached linen (est.): needle lace, mezza mandolina. Explore the work's context, creator attribution and collection history.
Fragment with a Floral (tendril) Motif at the Cleveland Museum of Art: 1500s–1600s, Bleached and blue dyed linen (est.): needle lace, filet/lacis (knotted ground and darned in one and two directions). Explore the work's context, creator att
Fragment (of a Band?) with Floral Pattern at the Cleveland Museum of Art: 1500s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution and collection h