Statuette of a Lion (380–246 BCE): Art, History and Details
Statuette of a Lion at the Cleveland Museum of Art: 380–246 BCE, limestone. Explore the work's context, creator attribution and collection history.
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Statuette of a Lion at the Cleveland Museum of Art: 380–246 BCE, limestone. Explore the work's context, creator attribution and collection history.

Domestic Shrine at the Cleveland Museum of Art: c. 1479–1425 BCE, limestone, originally painted. Explore the work's context, creator attribution and collection history.

Seated Scribe of Medthu at the Cleveland Museum of Art: c. 1479–1425 BCE, limestone, originally painted. Explore the work's context, creator attribution and collection history.

Black-Topped Beaker at the Cleveland Museum of Art: 4500–3000 BCE, Nile silt pottery. Explore the work's context, creator attribution and collection history.

White Cross-Lined Bowl with Turtle and Sun at the Cleveland Museum of Art: c. 4000–3400 BCE, Nile silt pottery. Explore the work's context, creator attribution and collection history.

Portrait of a Woman (Judith Colman Bulfinch?) at the Cleveland Museum of Art: c. 1734, oil on canvas. Explore the work's context, creator attribution and collection history.

Immortality at the Cleveland Museum of Art: 1886, lithograph. Explore the work's context, creator attribution and collection history.

To Robert Schumann at the Cleveland Museum of Art: 1894, lithograph. Explore the work's context, creator attribution and collection history.

Stained Glass Roundel with an Angel Holding a Scroll at the Cleveland Museum of Art: c. 1425–50, Stained glass (pot-metal and painted grisaille). Explore the work's context, creator attribution and collection history.

Saint Catherine with a Kneeling Male Donor at the Cleveland Museum of Art: 1400s, pot metal, white glass with silver stain. Explore the work's context, creator attribution and collection history.

Gradual at the Cleveland Museum of Art: c. 1520, Ink, tempera, and gold on vellum; wood binding. Explore the work's context, creator attribution and collection history.

Cover with Border of Abstract Floral Motifs at the Cleveland Museum of Art: 1700s, Rose silk (est.) center: plain weave Silk (est.) embroidery on unidentified ground fiber border: needle lace, burato (twined ground and darned in one directi

Border with Crowned and Double-Headed Birds at the Cleveland Museum of Art: 1700s–1800s, Needle lace, filet/lacis (knotted ground and darned in one direction) and bobbin lace (tape lace) edging; bleached linen (est.). Explore the work's con

Gradual at the Cleveland Museum of Art: c. 1520, Ink, tempera, and gold on vellum; wood binding. Explore the work's context, creator attribution and collection history.

Egham at the Cleveland Museum of Art: 1859, etching and drypoint. Explore the work's context, creator attribution and collection history.

Head of an Oriental at the Cleveland Museum of Art: 1600s, etching. Explore the work's context, creator attribution and collection history.

Architectural Brick with Dancer in Relief at the Cleveland Museum of Art: before 870, molded terracotta with slip coating. Explore the work's context, creator attribution and collection history.

Ichikawa Monnosuke II as Urabe Suetake, Onoe Matsusuke I as Usui Sadamitsu, and Nakamura Nakazo I as Watanabe no Tsuna in “The Four Heavenly Kings Costumed as the Night Watch” at the Cleveland Museum of Art: 1781, triptych of color woodbloc

Ichikawa Monnosuke II as Urabe no Suetake at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Onoe Matsusuke as Usui Sadamitsu at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Nakamura Nakazo I as Watanabe no Tsuna at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo at the Cleveland Museum of Art: 1857, color woodblock print. Explore the work's context, creator attribution and collection history.

Woman by a Plum Tree Matched with the Wisteria Maiden (from a series of women compared to figures from Otsu paintings) at the Cleveland Museum of Art: c. early 1830s, color woodblock print (surimono). Explore the work's context, creator att

Furuichi Dance at the Hisagataya at the Cleveland Museum of Art: mid 1820s, second of a pentaptych of woodblock prints; ink and color on paper. Explore the work's context, creator attribution and collection history.

Ichikawa Ebizo III as Yanone Goro in Nenriki arahitogami at the Cleveland Museum of Art: 1758, color woodblock print. Explore the work's context, creator attribution and collection history.

Love at the Brothel Gate at the Cleveland Museum of Art: late 1760s, color woodblock print. Explore the work's context, creator attribution and collection history.

Chushingura: Act IX of The Storehouse of Loyalty at the Cleveland Museum of Art: late 1790s, color woodblock print. Explore the work's context, creator attribution and collection history.

Chushingura: Act X of The Storehouse of Loyalty at the Cleveland Museum of Art: late 1790s, color woodblock print. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, Triptych of woodblock prints, ink and color on paper. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, One of a triptych of woodblock prints. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, One of a triptych of woodblock prints. Explore the work's context, creator attribution and collection history.

Courtesans of the Ōgiya on a Spring Outing at the Cleveland Museum of Art: mid- or late 1790s, One of a triptych of woodblock prints. Explore the work's context, creator attribution and collection history.

The Courtesan Takihime and Attendants (from the series New Patterns of Young Greens) at the Cleveland Museum of Art: 1795, color woodblock print. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, Pentaptych of woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Party on the Pleasure Boat Kawaichimaru at the Cleveland Museum of Art: c. 1796–97, One of a pentaptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

Ten-Round Incense Game at the Cleveland Museum of Art: 1700s–mid-1800s, Lacquered wood with gold and silver sprinkled powder (maki-e) and mother-of-pearl inlay, metal fittings. Explore the work's context, creator attribution and collection