Net Worth →

Lifestyle archive — Page 248

Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Rose Ryal: James I (obverse); Shield of Arms (reverse) (1619–20; Cleveland 1969.190)

Rose Ryal: James I (obverse); Shield of Arms (reverse) (1619–20): Art, History and Details

Rose Ryal: James I (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1619–20, gold. Explore the work's context, creator attribution and collection history.

Laurel: James I (obverse); Shield of Arms (reverse) (1619–1620; Cleveland 1969.191)

Laurel: James I (obverse); Shield of Arms (reverse) (1619–1620): Art, History and Details

Laurel: James I (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1619–1620, gold. Explore the work's context, creator attribution and collection history.

Unite: Charles I (obverse); Crowned Shield (reverse) (1625; Cleveland 1969.192)

Unite: Charles I (obverse); Crowned Shield (reverse) (1625): Art, History and Details

Unite: Charles I (obverse); Crowned Shield (reverse) at the Cleveland Museum of Art: 1625, gold. Explore the work's context, creator attribution and collection history.

Unite: Charles I (obverse); Crowned Shield (reverse) (1630–1631; Cleveland 1969.193)

Unite: Charles I (obverse); Crowned Shield (reverse) (1630–1631): Art, History and Details

Unite: Charles I (obverse); Crowned Shield (reverse) at the Cleveland Museum of Art: 1630–1631, gold. Explore the work's context, creator attribution and collection history.

Unite: Charles I (obverse); Crowned Shield (reverse) (1631–32; Cleveland 1969.194)

Unite: Charles I (obverse); Crowned Shield (reverse) (1631–32): Art, History and Details

Unite: Charles I (obverse); Crowned Shield (reverse) at the Cleveland Museum of Art: 1631–32, gold. Explore the work's context, creator attribution and collection history.

Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse) (1643; Cleveland 1969.195)

Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse) (1643): Art, History and Details

Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse) at the Cleveland Museum of Art: 1643, gold. Explore the work's context, creator attribution and collection history.

Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse) (1644; Cleveland 1969.196)

Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse) (1644): Art, History and Details

Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse) at the Cleveland Museum of Art: 1644, gold. Explore the work's context, creator attribution and collection history.

Broad: Oliver Cromwell Lord Protector (obverse); Crowned Shield of Arms (reverse) (1656; Cleveland 1969.197)

Broad: Oliver Cromwell Lord Protector (obverse); Crowned Shield of Arms (reverse) (1656): Art, History and Details

Broad: Oliver Cromwell Lord Protector (obverse); Crowned Shield of Arms (reverse) at the Cleveland Museum of Art: 1656, gold. Explore the work's context, creator attribution and collection history.

Broad: Charles II (obverse); Shields (reverse) (1660; Cleveland 1969.198)

Broad: Charles II (obverse); Shields (reverse) (1660): Art, History and Details

Broad: Charles II (obverse); Shields (reverse) at the Cleveland Museum of Art: 1660, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: Charles II (obverse); Four Shields (reverse) (1668; Cleveland 1969.199)

Five Guineas: Charles II (obverse); Four Shields (reverse) (1668): Art, History and Details

Five Guineas: Charles II (obverse); Four Shields (reverse) at the Cleveland Museum of Art: 1668, gold. Explore the work's context, creator attribution and collection history.

Two Guineas: James II (obverse); Four Shields of Arms (reverse) (1687; Cleveland 1969.200)

Two Guineas: James II (obverse); Four Shields of Arms (reverse) (1687): Art, History and Details

Two Guineas: James II (obverse); Four Shields of Arms (reverse) at the Cleveland Museum of Art: 1687, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: William & Mary (obverse); Crowned Shield of Arms (reverse) (1691; Cleveland 1969.201)

Five Guineas: William & Mary (obverse); Crowned Shield of Arms (reverse) (1691): Art, History and Details

Five Guineas: William & Mary (obverse); Crowned Shield of Arms (reverse) at the Cleveland Museum of Art: 1691, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: William III (obverse); Four Shields and Lion of Nassau (reverse) (1701; Cleveland 1969.202)

Five Guineas: William III (obverse); Four Shields and Lion of Nassau (reverse) (1701): Art, History and Details

Five Guineas: William III (obverse); Four Shields and Lion of Nassau (reverse) at the Cleveland Museum of Art: 1701, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: Anne (obverse); Shields and rose (reverse) (1703; Cleveland 1969.203)

Five Guineas: Anne (obverse); Shields and rose (reverse) (1703): Art, History and Details

Five Guineas: Anne (obverse); Shields and rose (reverse) at the Cleveland Museum of Art: 1703, gold. Explore the work's context, creator attribution and collection history.

Guinea: Anne (obverse); Shields and rose (reverse) (1703; Cleveland 1969.204)

Guinea: Anne (obverse); Shields and rose (reverse) (1703): Art, History and Details

Guinea: Anne (obverse); Shields and rose (reverse) at the Cleveland Museum of Art: 1703, gold. Explore the work's context, creator attribution and collection history.

Half Guinea: Anne (obverse); Shields and Rose (reverse) (1703; Cleveland 1969.205)

Half Guinea: Anne (obverse); Shields and Rose (reverse) (1703): Art, History and Details

Half Guinea: Anne (obverse); Shields and Rose (reverse) at the Cleveland Museum of Art: 1703, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: George I (obverse); Shields and Star of the Order of the Garter (reverse) (1716; Cleveland 1969.206)

Five Guineas: George I (obverse); Shields and Star of the Order of the Garter (reverse) (1716): Art, History and Details

Five Guineas: George I (obverse); Shields and Star of the Order of the Garter (reverse) at the Cleveland Museum of Art: 1716, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: George II (obverse); Shield of Arms (reverse) (1731; Cleveland 1969.207)

Five Guineas: George II (obverse); Shield of Arms (reverse) (1731): Art, History and Details

Five Guineas: George II (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1731, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: George II (obverse); Shield of Arms (reverse) (1746; Cleveland 1969.208)

Five Guineas: George II (obverse); Shield of Arms (reverse) (1746): Art, History and Details

Five Guineas: George II (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1746, gold. Explore the work's context, creator attribution and collection history.

Guinea: George III (obverse); Shield of Arms (reverse) (1761; Cleveland 1969.209)

Guinea: George III (obverse); Shield of Arms (reverse) (1761): Art, History and Details

Guinea: George III (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1761, gold. Explore the work's context, creator attribution and collection history.

Two Guinea Piece: George III (obverse); Shield of Arms (reverse) (1773; Cleveland 1969.210)

Two Guinea Piece: George III (obverse); Shield of Arms (reverse) (1773): Art, History and Details

Two Guinea Piece: George III (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1773, gold. Explore the work's context, creator attribution and collection history.

Five Guineas: George III (obverse); Shield of Arms (reverse) (1777; Cleveland 1969.211)

Five Guineas: George III (obverse); Shield of Arms (reverse) (1777): Art, History and Details

Five Guineas: George III (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1777, gold. Explore the work's context, creator attribution and collection history.

Sovereign: George III (obverse); St. George and the Dragon (reverse) (1817; Cleveland 1969.212)

Sovereign: George III (obverse); St. George and the Dragon (reverse) (1817): Art, History and Details

Sovereign: George III (obverse); St. George and the Dragon (reverse) at the Cleveland Museum of Art: 1817, gold. Explore the work's context, creator attribution and collection history.

Two Pound Piece: George III (obverse); St. George and the Dragon (reverse) (1820; Cleveland 1969.213)

Two Pound Piece: George III (obverse); St. George and the Dragon (reverse) (1820): Art, History and Details

Two Pound Piece: George III (obverse); St. George and the Dragon (reverse) at the Cleveland Museum of Art: 1820, gold. Explore the work's context, creator attribution and collection history.

Two Pound Piece: George IV (obverse); St. George and the Dragon (reverse) (1823; Cleveland 1969.214)

Two Pound Piece: George IV (obverse); St. George and the Dragon (reverse) (1823): Art, History and Details

Two Pound Piece: George IV (obverse); St. George and the Dragon (reverse) at the Cleveland Museum of Art: 1823, gold. Explore the work's context, creator attribution and collection history.

Five Pound Piece: George IV (obverse); Shield of Arms (reverse) (1826; Cleveland 1969.215)

Five Pound Piece: George IV (obverse); Shield of Arms (reverse) (1826): Art, History and Details

Five Pound Piece: George IV (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1826, gold. Explore the work's context, creator attribution and collection history.

Two Pound Piece: George IV (obverse); Shield of Arms (reverse) (1831; Cleveland 1969.216)

Two Pound Piece: George IV (obverse); Shield of Arms (reverse) (1831): Art, History and Details

Two Pound Piece: George IV (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1831, gold. Explore the work's context, creator attribution and collection history.

Five Pound Piece: Victoria (obverse); Una (reverse) (1839; Cleveland 1969.217)

Five Pound Piece: Victoria (obverse); Una (reverse) (1839): Art, History and Details

Five Pound Piece: Victoria (obverse); Una (reverse) at the Cleveland Museum of Art: 1839, gold. Explore the work's context, creator attribution and collection history.

Sovereign: Victoria (obverse); Shield of Arms (reverse) (1839; Cleveland 1969.218)

Sovereign: Victoria (obverse); Shield of Arms (reverse) (1839): Art, History and Details

Sovereign: Victoria (obverse); Shield of Arms (reverse) at the Cleveland Museum of Art: 1839, gold. Explore the work's context, creator attribution and collection history.

Five Pound Piece: Victoria (obverse); St. George and the Dragon (reverse) (1887; Cleveland 1969.219)

Five Pound Piece: Victoria (obverse); St. George and the Dragon (reverse) (1887): Art, History and Details

Five Pound Piece: Victoria (obverse); St. George and the Dragon (reverse) at the Cleveland Museum of Art: 1887, gold. Explore the work's context, creator attribution and collection history.

Five Pound Piece: Edward VII (obverse); St. George and the Dragon (reverse) (1902; Cleveland 1969.221)

Five Pound Piece: Edward VII (obverse); St. George and the Dragon (reverse) (1902): Art, History and Details

Five Pound Piece: Edward VII (obverse); St. George and the Dragon (reverse) at the Cleveland Museum of Art: 1902, gold. Explore the work's context, creator attribution and collection history.

Two Pound Piece: George V (obverse); St. George and the Dragon (reverse) (1911; Cleveland 1969.222)

Two Pound Piece: George V (obverse); St. George and the Dragon (reverse) (1911): Art, History and Details

Two Pound Piece: George V (obverse); St. George and the Dragon (reverse) at the Cleveland Museum of Art: 1911, gold. Explore the work's context, creator attribution and collection history.

Abraham Going to Sacrifice Isaac (1517–19; Cleveland 1969.233)

Abraham Going to Sacrifice Isaac (1517–19): Art, History and Details

Abraham Going to Sacrifice Isaac at the Cleveland Museum of Art: 1517–19, woodcut. Explore the work's context, creator attribution and collection history.

Chestnut and Pine (1869; Cleveland 1969.241)

Chestnut and Pine (1869): Art, History and Details

Chestnut and Pine at the Cleveland Museum of Art: 1869, graphite. Explore the work's context, creator attribution and collection history.

Old Man Before the Log Bridge (1819; Cleveland 1969.243)

Old Man Before the Log Bridge (1819): Art, History and Details

Old Man Before the Log Bridge at the Cleveland Museum of Art: 1819, etching. Explore the work's context, creator attribution and collection history.

Plate with Bird and Flower (early 1900s; Cleveland 1969.253)

Plate with Bird and Flower (early 1900s): Art, History and Details

Plate with Bird and Flower at the Cleveland Museum of Art: early 1900s, Porcelain with overglaze enamel (Ko-Kutani revival style). Explore the work's context, creator attribution and collection history.

Apollo and Marsyas (c. 1468; Cleveland 1969.261)

Apollo and Marsyas (c. 1468): Art, History and Details

Apollo and Marsyas at the Cleveland Museum of Art: c. 1468, bronze. Explore the work's context, creator attribution and collection history.

Gold Weight (abrammuo): Geometric (1800s; Cleveland 1969.265)

Gold Weight (abrammuo): Geometric (1800s): Art, History and Details

Gold Weight (abrammuo): Geometric at the Cleveland Museum of Art: 1800s, Copper alloy. Explore the work's context, creator attribution and collection history.

Gold Weight (abrammuo): Drum with Jaws of Defeated Enemies (1800s; Cleveland 1969.266)

Gold Weight (abrammuo): Drum with Jaws of Defeated Enemies (1800s): Art, History and Details

Gold Weight (abrammuo): Drum with Jaws of Defeated Enemies at the Cleveland Museum of Art: 1800s, Brass. Explore the work's context, creator attribution and collection history.

The Men's Bath House (c. 1496–97; Cleveland 1969.271)

The Men's Bath House (c. 1496–97): Art, History and Details

The Men's Bath House at the Cleveland Museum of Art: c. 1496–97, woodcut. Explore the work's context, creator attribution and collection history.