Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Vanity Case (Nécessaire) at the Cleveland Museum of Art: c. 1760, gold, agate, interior fitted with gold-mounted implements, mirror. Explore the work's context, creator attribution and collection history.
Vanity Set (Nécessaire) at the Cleveland Museum of Art: c. 1750–60, gold, agate, interior fitted with gold-mounted implements, mirror. Explore the work's context, creator attribution and collection history.
Vanity Case (Nécessaire) at the Cleveland Museum of Art: c. 1760, gold, orange agate, enamel. Explore the work's context, creator attribution and collection history.
Snuff Box with Clock at the Cleveland Museum of Art: c. 1750, gold-mounted agate, enamel dial, glass. Explore the work's context, creator attribution and collection history.
Cabinet Clock at the Cleveland Museum of Art: c. 1770–75, gold, agate, enamel dial, glass. Explore the work's context, creator attribution and collection history.
The Rabbit Hunt at the Cleveland Museum of Art: 1560, etching. Explore the work's context, creator attribution and collection history.
Saint Peter of Alcántara at the Cleveland Museum of Art: c. 1663–70, painted wood, with ivory and glass. Explore the work's context, creator attribution and collection history.
Deity-Head Vessel at the Cleveland Museum of Art: 900–400 BCE, ceramic with pigment applied after firing. Explore the work's context, creator attribution and collection history.
Monkey Figure at the Cleveland Museum of Art: c. 1900–1925, porcelain, silver-gilt. Explore the work's context, creator attribution and collection history.
Monkey Figure at the Cleveland Museum of Art: c. 1850–1900, porcelain, silver-gilt. Explore the work's context, creator attribution and collection history.
Ceremonial Blade with Three Perforations (Dao) at the Cleveland Museum of Art: 2000–1700 BCE, jade (nephrite). Explore the work's context, creator attribution and collection history.
Box at the Cleveland Museum of Art: c. 1850–1900, porcelain, silver-gilt. Explore the work's context, creator attribution and collection history.
Portrait of Jean Ajalbert at the Cleveland Museum of Art: c. 1893, charcoal with white chalk. Explore the work's context, creator attribution and collection history.
Sarah Bernhardt Reclining on a Divan, Reading at the Cleveland Museum of Art: c. 1885–1890, Graphite with lead white heightening. Explore the work's context, creator attribution and collection history.
Horse and Rider at the Cleveland Museum of Art: c. 1890, black chalk. Explore the work's context, creator attribution and collection history.
Lotz at the Cleveland Museum of Art: 1900, pastel. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at the Cleveland Museum of Art: c. 1889–1899, pastel. Explore the work's context, creator attribution and collection history.
After-Dinner Coffee (recto); After-Dinner Coffee (verso) at the Cleveland Museum of Art: c. 1889, graphite. Explore the work's context, creator attribution and collection history.
After-Dinner Coffee (recto) at the Cleveland Museum of Art: c. 1889, graphite. Explore the work's context, creator attribution and collection history.
After-Dinner Coffee (verso) at the Cleveland Museum of Art: c. 1889, transferred soft (etching) ground. Explore the work's context, creator attribution and collection history.
Orpheus and Eurydice (recto); Figure Studies (verso) at the Cleveland Museum of Art: c. 1761, Black and gray chalks on cream laid paper. Explore the work's context, creator attribution and collection history.
Orpheus and Eurydice (recto) at the Cleveland Museum of Art: c. 1761, black chalk. Explore the work's context, creator attribution and collection history.
Figure Studies (verso) at the Cleveland Museum of Art: c. 1761, black chalk. Explore the work's context, creator attribution and collection history.
Sheet of Satirical Studies (Amorini Riding Phalli) at the Cleveland Museum of Art: c. 1650s, Pen and brown ink, wash, and red chalk. Explore the work's context, creator attribution and collection history.
Portrait of a Man at the Cleveland Museum of Art: 1880, oil on canvas. Explore the work's context, creator attribution and collection history.
Julius Caesar at the Cleveland Museum of Art: c. 1455–60, marble with traces of bole (red clay) and limestone with traces of paint. Explore the work's context, creator attribution and collection history.
Printed Book of Hours (Use of Rome) at the Cleveland Museum of Art: 1510, 112 printed folios on parchment, bound. Explore the work's context, creator attribution and collection history.
Printed Book of Hours (Use of Rome): fol. 108v, Saint Anne and the Virgin Mary at the Cleveland Museum of Art: 1510, 112 Printed folios on parchment, bound. Explore the work's context, creator attribution and collection history.
Printed Book of Hours (Use of Rome): fol. 109r, Mary Magdalene at the Cleveland Museum of Art: 1510, 112 printed folios on parchment, bound. Explore the work's context, creator attribution and collection history.
The Sphinx at the Cleveland Museum of Art: c. 1853, salted paper print from waxed paper negative. Explore the work's context, creator attribution and collection history.
Brocaded velvet cushion cover with crescents at the Cleveland Museum of Art: 1525–75, velvet, brocaded: silk, gilt- and silver-metal thread, and cotton. Explore the work's context, creator attribution and collection history.
Printed Book of Hours (Use of Rome): fol. 95v, Text at the Cleveland Museum of Art: 1510, 112 printed folios on parchment, bound. Explore the work's context, creator attribution and collection history.
Printed Book of Hours (Use of Rome): fol. 66v, Text at the Cleveland Museum of Art: 1510, 112 printed folios on parchment, bound. Explore the work's context, creator attribution and collection history.
A Seated Shepherdess at the Cleveland Museum of Art: c. 1836, black chalk with white heightening and white pastel on brown paper laid down on board. Explore the work's context, creator attribution and collection history.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra at the Cleveland Museum of Art: late 1300s, Set of three hanging scrolls; ink and color on silk. Explore the work's context, creator attribution and collection history.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion) at the Cleveland Museum of Art: late 1300s, Hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection histo
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha) at the Cleveland Museum of Art: late 1300s, Hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Elephant) at the Cleveland Museum of Art: late 1300s, Hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection h
Brooch in the Form of a Six-Pointed Star at the Cleveland Museum of Art: late 700s-early 800s, gold with repoussé and filigree decoration; copper backplate. Explore the work's context, creator attribution and collection history.
Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight at the Cleveland Museum of Art: c. 1870, albumen print. Explore the work's context, creator attribution and collection history.