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Art & Design archive — Page 166

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Fisherman (1906; Cleveland 1960.122)

Fisherman (1906): Art, History and Details

Fisherman at the Cleveland Museum of Art: 1906, woodcut. Explore the work's context, creator attribution and collection history.

Solomon's Idolatry (1516–1519; Cleveland 1960.156)

Solomon's Idolatry (1516–1519): Art, History and Details

Solomon's Idolatry at the Cleveland Museum of Art: 1516–1519, woodcut. Explore the work's context, creator attribution and collection history.

Saint Francis Receiving the Stigmata (1535–45; Cleveland 1960.160)

Saint Francis Receiving the Stigmata (1535–45): Art, History and Details

Saint Francis Receiving the Stigmata at the Cleveland Museum of Art: 1535–45, woodcut. Explore the work's context, creator attribution and collection history.

The Grand Quai of Le Havre (1901; Cleveland 1960.166)

The Grand Quai of Le Havre (1901): Art, History and Details

The Grand Quai of Le Havre at the Cleveland Museum of Art: 1901, pastel. Explore the work's context, creator attribution and collection history.

Face Mask with Female Figure (satimbe) (early to mid-1900s; Cleveland 1960.169)

Face Mask with Female Figure (satimbe) (early to mid-1900s): Art, History and Details

Face Mask with Female Figure (satimbe) at the Cleveland Museum of Art: early to mid-1900s, Wood and organic materials. Explore the work's context, creator attribution and collection history.

Head of an Apostle (c. 1325–1350; Cleveland 1960.170)

Head of an Apostle (c. 1325–1350): Art, History and Details

Head of an Apostle at the Cleveland Museum of Art: c. 1325–1350, limestone, with traces of polychromy. Explore the work's context, creator attribution and collection history.

Birds and Flowers in a Landscape of the Four Seasons (second half of the 1500s; Cleveland 1960.173)

Birds and Flowers in a Landscape of the Four Seasons (second half of the 1500s): Art, History and Details

Birds and Flowers in a Landscape of the Four Seasons at the Cleveland Museum of Art: second half of the 1500s, Six-panel folding screen, ink and color on paper. Explore the work's context, creator attribution and collection history.

Chateau de Chaumont Set (1512–1515; Cleveland 1960.176)

Chateau de Chaumont Set (1512–1515): Art, History and Details

Chateau de Chaumont Set at the Cleveland Museum of Art: 1512–1515, silk and wool; tapestry weave. Explore the work's context, creator attribution and collection history.

The Triumph of Eternity (from Chateau de Chaumont set) (1512–15; Cleveland 1960.176.1)

The Triumph of Eternity (from Chateau de Chaumont set) (1512–15): Art, History and Details

The Triumph of Eternity (from Chateau de Chaumont set) at the Cleveland Museum of Art: 1512–15, silk and wool; tapestry weave. Explore the work's context, creator attribution and collection history.

Youth (from Chateau de Chaumont set) (1512–15; Cleveland 1960.176.2)

Youth (from Chateau de Chaumont set) (1512–15): Art, History and Details

Youth (from Chateau de Chaumont set) at the Cleveland Museum of Art: 1512–15, silk and wool; tapestry weave. Explore the work's context, creator attribution and collection history.

Time (from Chateau de Chaumont set) (1512–15; Cleveland 1960.176.3)

Time (from Chateau de Chaumont set) (1512–15): Art, History and Details

Time (from Chateau de Chaumont set) at the Cleveland Museum of Art: 1512–15, silk and wool; tapestry weave. Explore the work's context, creator attribution and collection history.

Three Horses and Four Grooms (c. 1320s; Cleveland 1960.181)

Three Horses and Four Grooms (c. 1320s): Art, History and Details

Three Horses and Four Grooms at the Cleveland Museum of Art: c. 1320s, handscroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

Dream Journey among Rivers and Mountains, no. 90 (1658; Cleveland 1960.182)

Dream Journey among Rivers and Mountains, no. 90 (1658): Art, History and Details

Dream Journey among Rivers and Mountains, no. 90 at the Cleveland Museum of Art: 1658, Handscroll; ink and color on paper. Explore the work's context, creator attribution and collection history.

Thirty-Six Poetic Immortals (mid 1700s; Cleveland 1960.183)

Thirty-Six Poetic Immortals (mid 1700s): Art, History and Details

Thirty-Six Poetic Immortals at the Cleveland Museum of Art: mid 1700s, two-fold screen; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana" (c. 1760–65; Cleveland 1960.184)

Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana" (c. 1760–65): Art, History and Details

Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana" at the Cleveland Museum of Art: c. 1760–65, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Vase (c. 1900–1902; Cleveland 1960.186)

Vase (c. 1900–1902): Art, History and Details

Vase at the Cleveland Museum of Art: c. 1900–1902, favrile glass. Explore the work's context, creator attribution and collection history.

Christ Taken before Caiaphas (c. 1641–42; Cleveland 1960.187)

Christ Taken before Caiaphas (c. 1641–42): Art, History and Details

Christ Taken before Caiaphas at the Cleveland Museum of Art: c. 1641–42, pen and brown ink and brush and brown wash, with white gouache. Explore the work's context, creator attribution and collection history.

Arrival of the "Southern Barbarians" (c. 1600; Cleveland 1960.193)

Arrival of the "Southern Barbarians" (c. 1600): Art, History and Details

Arrival of the "Southern Barbarians" at the Cleveland Museum of Art: c. 1600, Pair of six-panel folding screens; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

Arrival of the "Southern Barbarians" (c. 1600; Cleveland 1960.193.1)

Arrival of the "Southern Barbarians" (c. 1600): Art, History and Details

Arrival of the "Southern Barbarians" at the Cleveland Museum of Art: c. 1600, One of a pair of six-panel folding screens; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

Arrival of the "Southern Barbarians" (c. 1600; Cleveland 1960.193.2)

Arrival of the "Southern Barbarians" (c. 1600): Art, History and Details

Arrival of the "Southern Barbarians" at the Cleveland Museum of Art: c. 1600, One of a pair of six-panel folding screens; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

Incense Burner with Lid (late 1300s; Cleveland 1960.195)

Incense Burner with Lid (late 1300s): Art, History and Details

Incense Burner with Lid at the Cleveland Museum of Art: late 1300s, black lacquer on wood with decoration in maki-e; metal rims; bronze lid. Explore the work's context, creator attribution and collection history.

Incense Burner (late 1300s; Cleveland 1960.195.a)

Incense Burner (late 1300s): Art, History and Details

Incense Burner at the Cleveland Museum of Art: late 1300s, black lacquer on wood with decoration in maki-e; metal rims; bronze lid. Explore the work's context, creator attribution and collection history.

Incense Burner (lid) (late 1300s; Cleveland 1960.195.b)

Incense Burner (lid) (late 1300s): Art, History and Details

Incense Burner (lid) at the Cleveland Museum of Art: late 1300s, bronze with metal rim. Explore the work's context, creator attribution and collection history.

Buddha of Infinite Life and Light (Amida Nyorai) (1269; Cleveland 1960.197)

Buddha of Infinite Life and Light (Amida Nyorai) (1269): Art, History and Details

Buddha of Infinite Life and Light (Amida Nyorai) at the Cleveland Museum of Art: 1269, Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz. Explore the work's context, creator attribution and collection history

Locket (1700s; Cleveland 1960.198)

Locket (1700s): Art, History and Details

Locket at the Cleveland Museum of Art: 1700s, gold and enamel. Explore the work's context, creator attribution and collection history.

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600; Cleveland 1960.199)

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600): Art, History and Details

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, Opaque watercolor, ink, and gold on paper. Explore the work's context, creator attr

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600; Cleveland 1960.199.a)

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600): Art, History and Details

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, Opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600; Cleveland 1960.199.b)

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (c. 1590–1600): Art, History and Details

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, opaque watercolor and gold on paper. Explore the work's context, creator attributio

Vajradhara, Nairatmya, and mahasiddhas Virupa and Kanha (c. 1450; Cleveland 1960.206)

Vajradhara, Nairatmya, and mahasiddhas Virupa and Kanha (c. 1450): Art, History and Details

Vajradhara, Nairatmya, and mahasiddhas Virupa and Kanha at the Cleveland Museum of Art: c. 1450, Gum tempera and gold on cotton. Explore the work's context, creator attribution and collection history.

Four seated Masters (c. 1450; Cleveland 1960.209)

Four seated Masters (c. 1450): Art, History and Details

Four seated Masters at the Cleveland Museum of Art: c. 1450, Gum tempera and gold on cotton. Explore the work's context, creator attribution and collection history.

Mandala of Chakrasamvara and Vajravarahi (late 1400s; Cleveland 1960.211)

Mandala of Chakrasamvara and Vajravarahi (late 1400s): Art, History and Details

Mandala of Chakrasamvara and Vajravarahi at the Cleveland Museum of Art: late 1400s, Gum tempera on cloth. Explore the work's context, creator attribution and collection history.

Fan (c. 1850–1870; Cleveland 1960.267)

Fan (c. 1850–1870): Art, History and Details

Fan at the Cleveland Museum of Art: c. 1850–1870, Leaf: gouache on paper; sticks and guards: mother-of-pearl; pivot: gold. Explore the work's context, creator attribution and collection history.

Border of Heads and Palmettes from a Large Hanging (500s CE; Cleveland 1960.273)

Border of Heads and Palmettes from a Large Hanging (500s CE): Art, History and Details

Border of Heads and Palmettes from a Large Hanging at the Cleveland Museum of Art: 500s CE, Dyed wool, undyed linen; slit-tapestry weave. Explore the work's context, creator attribution and collection history.

Decorated Band from a Tunic or Curtain (600s; Cleveland 1960.275)

Decorated Band from a Tunic or Curtain (600s): Art, History and Details

Decorated Band from a Tunic or Curtain at the Cleveland Museum of Art: 600s, tapestry weave with supplementary weft wrapping; undyed linen and dyed wool. Explore the work's context, creator attribution and collection history.

A Myriad of Birds (1700s–1800s; Cleveland 1960.276)

A Myriad of Birds (1700s–1800s): Art, History and Details

A Myriad of Birds at the Cleveland Museum of Art: 1700s–1800s, silk: satin weave with polychrome silk embroidery. Explore the work's context, creator attribution and collection history.

Scepter (Gui) with Miscellaneous Poems by Tao Qian (365–427 CE) (1122 or later; Cleveland 1960.278)

Scepter (Gui) with Miscellaneous Poems by Tao Qian (365–427 CE) (1122 or later): Art, History and Details

Scepter (Gui) with Miscellaneous Poems by Tao Qian (365–427 CE) at the Cleveland Museum of Art: 1122 or later, translucent white jade. Explore the work's context, creator attribution and collection history.

Eight Views of Xiao-Xiang (early-mid 1700s; Cleveland 1960.284)

Eight Views of Xiao-Xiang (early-mid 1700s): Art, History and Details

Eight Views of Xiao-Xiang at the Cleveland Museum of Art: early-mid 1700s, One of a pair of six-panel folding screens; ink on paper. Explore the work's context, creator attribution and collection history.

Bodhisattva Manjushri: Lord of Wisdom (1000s–1100s; Cleveland 1960.285)

Bodhisattva Manjushri: Lord of Wisdom (1000s–1100s): Art, History and Details

Bodhisattva Manjushri: Lord of Wisdom at the Cleveland Museum of Art: 1000s–1100s, Bronze with gilding and inlay of semiprecious stones. Explore the work's context, creator attribution and collection history.

Tripod Cauldron (Ding) (1200–1100 BCE; Cleveland 1960.288)

Tripod Cauldron (Ding) (1200–1100 BCE): Art, History and Details

Tripod Cauldron (Ding) at the Cleveland Museum of Art: 1200–1100 BCE, bronze. Explore the work's context, creator attribution and collection history.

Covered Bowl (c. 1775; Cleveland 1961.2)

Covered Bowl (c. 1775): Art, History and Details

Covered Bowl at the Cleveland Museum of Art: c. 1775, tin-glazed earthenware (faience) with enamel decoration. Explore the work's context, creator attribution and collection history.