Dead Child On a Sofa (c. 1855): Art, History and Details
Dead Child On a Sofa at the Cleveland Museum of Art: c. 1855, daguerreotype, applied color, quarter-plate. Explore the work's context, creator attribution and collection history.
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Dead Child On a Sofa at the Cleveland Museum of Art: c. 1855, daguerreotype, applied color, quarter-plate. Explore the work's context, creator attribution and collection history.

Artist with His Palette and Brushes at the Cleveland Museum of Art: c. 1855, daguerreotype, sixth-plate. Explore the work's context, creator attribution and collection history.

The Music Teacher and His Wife at the Cleveland Museum of Art: c. 1850s, daguerreotype, applied color, quarter-plate. Explore the work's context, creator attribution and collection history.

Mrs. John R. Johnston at the Cleveland Museum of Art: before 1857, salted paper print from wet collodion negative. Explore the work's context, creator attribution and collection history.

John R. Johnston with Painting at the Cleveland Museum of Art: late 1850s, salted paper print from wet collodion negative. Explore the work's context, creator attribution and collection history.

St. Anthony Falls from Across the River at the Cleveland Museum of Art: c. 1853–54, daguerreotype, half-plate. Explore the work's context, creator attribution and collection history.

First Bank of the United States, Philadelphia at the Cleveland Museum of Art: 1859, salted paper print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Inclined Plane F, Delaware and Hudson Canal Co. at the Cleveland Museum of Art: c. 1860, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Yosemite Valley from Mariposa Trail at the Cleveland Museum of Art: c. 1865, mammoth albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

The Domes, from the Sentinel Domes, Yosemite at the Cleveland Museum of Art: c. 1865–1866, mammoth albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Sand Dunes, Carson Desert, Nevada at the Cleveland Museum of Art: 1867, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Iceberg Canyon, Colorado River Looking Above at the Cleveland Museum of Art: c. 1871, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Looking South into the Grand Canyon, Colorado River, Sheavwitz at the Cleveland Museum of Art: 1872, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Crowell Children at Avondale at the Cleveland Museum of Art: 1885–1890, platinum print. Explore the work's context, creator attribution and collection history.

Hemlock Forest, Lehigh Valley Railroad at the Cleveland Museum of Art: c. 1895, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Single Leaf with Scenes from the Last Supper at the Cleveland Museum of Art: c.1525–30, tempera with liquid gold and silver on vellum, mounted on old wood board. Explore the work's context, creator attribution and collection history.

Funerary Monument for the Marquis de Tourney (for the Chapel of the Château de la Falaise) at the Cleveland Museum of Art: 1787–1793, marble. Explore the work's context, creator attribution and collection history.

Mater Dolorosa (The Virgin Mary Mourning) at the Cleveland Museum of Art: 1897, painted plaster and wood. Explore the work's context, creator attribution and collection history.

Richard II at the Cleveland Museum of Art: 1775, etching in brown ink. Explore the work's context, creator attribution and collection history.

The Brothers Eberhard at the Cleveland Museum of Art: 1822, lithograph printed in black and gray. Explore the work's context, creator attribution and collection history.

Storage Jar: Tamba Ware at the Cleveland Museum of Art: 1400s, stoneware with natural ash glaze. Explore the work's context, creator attribution and collection history.

Vessel with Deity Mask at the Cleveland Museum of Art: 1200–900 BCE, ceramic, traces of pigment. Explore the work's context, creator attribution and collection history.
![The Park at Sceaux [April 1925, 7a.m.] (1925; Cleveland 2002.68)](https://openaccess-cdn.clevelandart.org/2002.68/2002.68_web.jpg)
The Park at Sceaux [April 1925, 7a.m.] at the Cleveland Museum of Art: 1925, arrowroot print, gold-toned. Explore the work's context, creator attribution and collection history.

Nymphéa at the Cleveland Museum of Art: 1922–23, albumen print, gold-toned. Explore the work's context, creator attribution and collection history.

Female Worshiper at the Cleveland Museum of Art: c. 1600–1500 BCE, bronze. Explore the work's context, creator attribution and collection history.

The Music Teacher at the Cleveland Museum of Art: c. 1850s, daguerreotype, applied color, quarter-plate. Explore the work's context, creator attribution and collection history.

The Music Teacher's Wife at the Cleveland Museum of Art: c. 1850s, daguerreotype, applied color, quarter-plate. Explore the work's context, creator attribution and collection history.

Aurora and Cephalus at the Cleveland Museum of Art: c.1810, oil on canvas. Explore the work's context, creator attribution and collection history.

St. Rocco Waterfall and Bridge at Tivoli (Cascata e Ponte di St. Rocco a Tivoli) at the Cleveland Museum of Art: 1795, etching in brown ink. Explore the work's context, creator attribution and collection history.

Surmananda Ragaputra of Hindol, from a Ragamala at the Cleveland Museum of Art: c. 1750, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Cupid and Psyche at the Cleveland Museum of Art: 1813, gray wash and pen and black ink with white paint and traces of black chalk. Explore the work's context, creator attribution and collection history.

Eva Meurier in a Green Dress at the Cleveland Museum of Art: 1891, oil on canvas. Explore the work's context, creator attribution and collection history.

Feathered Panel at the Cleveland Museum of Art: 600–900, Papagayo macaw feathers knotted onto strings and stitched to cotton plain-weave cloth; camelid fiber plain-weave cloth upper tape. Explore the work's context, creator attribution and

Double-Spouted Vessel at the Cleveland Museum of Art: 500–900, ceramic, slip. Explore the work's context, creator attribution and collection history.

The Deluge at the Cleveland Museum of Art: 1893, color lithograph. Explore the work's context, creator attribution and collection history.

Tripod (Ding) at the Cleveland Museum of Art: 1000s BCE, bronze. Explore the work's context, creator attribution and collection history.

Subterranean Jail for the Stage at the Cleveland Museum of Art: 1788, etching and aquatint. Explore the work's context, creator attribution and collection history.

Brocaded Velvet Panel with Italianate Pattern at the Cleveland Museum of Art: 1575–1625, Silk: velvet, brocaded; gilt-metal thread and cotton. Explore the work's context, creator attribution and collection history.

Polyhymnia, Muse of Eloquence at the Cleveland Museum of Art: 1800, oil on canvas. Explore the work's context, creator attribution and collection history.

Apollo, God of Light, Eloquence, Poetry, and the Fine Arts with Urania, Muse of Astronomy at the Cleveland Museum of Art: 1798, oil on canvas. Explore the work's context, creator attribution and collection history.