Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Portrait of Sardar Singh (Son of Savant Singh, 1730–68) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Pedestalled Dish at the Cleveland Museum of Art: c. 1000–500 BCE, burnished earthenware with carved and impressed decoration. Explore the work's context, creator attribution and collection history.
Fountaine de la Sophie, Constantinople at the Cleveland Museum of Art: c. 1854, salted paper print from paper negative. Explore the work's context, creator attribution and collection history.
Portrait of Giacomo Meyerbeer (1791–1864) at the Cleveland Museum of Art: 1857, salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Hoyshaleshvara Temple Sculpture, Halebidu (Halebeedu) at the Cleveland Museum of Art: 1856–57, albumenized salt print from waxed paper negative. Explore the work's context, creator attribution and collection history.
The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf Excised from the Tarleton Hours: Christ Carrying the Cross at the Cleveland Museum of Art: c. 1430, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pietà (None, Office of the Virgin) at the Cleveland Museum of Art: c. 1460–70, ink, tempera and gold on vellum. Explore the work
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves) at the Cleveland Museum of Art: c. 1510, ink, tempera, an
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) at the Cleveland Museum of Art: c. 1510, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attr
Leaf from a Book of Hours: Text with Illustrated Border (verso) at the Cleveland Museum of Art: c. 1510, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
The Annunciation (Matins, Office of the Virgin): Leaf from a Book of Hours (1 of 3 Excised Leaves) at the Cleveland Museum of Art: c. 1530–35, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and coll
Jina (Tirthankara) at the Cleveland Museum of Art: 900s–1000s, bronze with silver inlay. Explore the work's context, creator attribution and collection history.
Ballgame Thin Stone Head (Hacha) at the Cleveland Museum of Art: 600–900, stone, pigment. Explore the work's context, creator attribution and collection history.
Peasant Woman at the Cleveland Museum of Art: 1740–1750, porcelain with enamel decoration. Explore the work's context, creator attribution and collection history.
Vase at the Cleveland Museum of Art: 1900, silver. Explore the work's context, creator attribution and collection history.
Study of a Fallen Soldier (possibly the Conversion of Saul) (recto); A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso) at the Cleveland Museum of Art: c. 1525, red chalk. Explore the work's context, creator attri
Study of a Fallen Soldier (possibly the Conversion of Saul) (recto) at the Cleveland Museum of Art: c. 1525, red chalk. Explore the work's context, creator attribution and collection history.
A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso) at the Cleveland Museum of Art: c. 1525, red chalk. Explore the work's context, creator attribution and collection history.
Daedalic Pendant with Potnia Theron (Mistress of the Animals) at the Cleveland Museum of Art: 650–600 BCE, gold and glass-like substance. Explore the work's context, creator attribution and collection history.
Worship of Dvaraka Nathji at Kankroli at the Cleveland Museum of Art: c. 1880, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Sri Nathaji at the Cleveland Museum of Art: c. 1900, Gum tempera on paper. Explore the work's context, creator attribution and collection history.
Khadgaroma, Son of Ravana at the Cleveland Museum of Art: c. 1720, Gum tempera, ink, and hand-colored silver paper appliqué on paper. Explore the work's context, creator attribution and collection history.
A Couple (from the series Costumes and Professions) at the Cleveland Museum of Art: mid-1800s, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Rustic Figures: Two Boys at the Cleveland Museum of Art: 1801, lithograph hand-colored with brown wash. Explore the work's context, creator attribution and collection history.
Small-Sword at the Cleveland Museum of Art: c. 1790–1800, hilt: gold with blue translucent enamel; blade: etched, blued and gilded steel. Explore the work's context, creator attribution and collection history.
The Blindness of Tobit: The Large Plate at the Cleveland Museum of Art: 1651, etching and drypoint. Explore the work's context, creator attribution and collection history.
Willows and Poplars at the Cleveland Museum of Art: 1871, lithograph with chine collé. Explore the work's context, creator attribution and collection history.
Vase at the Cleveland Museum of Art: c. 1903, porcelain with colored glazes and gilding. Explore the work's context, creator attribution and collection history.
Oedipus at Colonus at the Cleveland Museum of Art: 1798, oil on canvas. Explore the work's context, creator attribution and collection history.
Pietà at the Cleveland Museum of Art: c. 1460, woodcut, hand colored with watercolor. Explore the work's context, creator attribution and collection history.
Mirror with Jade Disk Inset at the Cleveland Museum of Art: 475 BCE–9 CE, bronze with nephrite and turquoise. Explore the work's context, creator attribution and collection history.
Rishyashringa addresses the courtesans, from the "Shangri" Ramayana at the Cleveland Museum of Art: c. 1700–1725, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Saint Peter at the Cleveland Museum of Art: c. 1547, chiaroscuro woodcut printed in four shades of brown. Explore the work's context, creator attribution and collection history.
Medallion Portrait of a Woman at the Cleveland Museum of Art: c. 1850, daguerreotype, whole-plate. Explore the work's context, creator attribution and collection history.
Mother and Child at the Cleveland Museum of Art: c. 1860–65, daguerreotype, applied color, sixth-plate. Explore the work's context, creator attribution and collection history.
Two Children with Toys at the Cleveland Museum of Art: c. 1855, daguerreotype, quarter-plate. Explore the work's context, creator attribution and collection history.
Child with Drum at the Cleveland Museum of Art: 1850s, daguerreotype, quarter-plate. Explore the work's context, creator attribution and collection history.
Francis Wayland Sherman at the Age of 2 Years 10 Months at the Cleveland Museum of Art: 1862, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.