Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Landscapes in Various Styles after Old Masters at the Cleveland Museum of Art: 1690, album leaf: ink and color on paper. Explore the work's context, creator attribution and collection history.
Samantabhadra at the Cleveland Museum of Art: 1100s, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Bodhisattva Guanyin at the Cleveland Museum of Art: late 500s–early 600s, sandstone with polychromy. Explore the work's context, creator attribution and collection history.
Monk Mending Clothes in the Morning Sun (Chōyō Hotetsuzu) at the Cleveland Museum of Art: c. 1350, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
Shiva as Slayer of the Elephant Demon at the Cleveland Museum of Art: 1000s, granite. Explore the work's context, creator attribution and collection history.
Lovers (Mithuna) at the Cleveland Museum of Art: c. 973, sandstonewith limestone wash. Explore the work's context, creator attribution and collection history.
Walking Buddha at the Cleveland Museum of Art: 700s, ivory. Explore the work's context, creator attribution and collection history.
Piazza San Marco, Venice at the Cleveland Museum of Art: c. 1740, oil on canvas. Explore the work's context, creator attribution and collection history.
Adoring Monk at the Cleveland Museum of Art: early 500s, gilt bronze. Explore the work's context, creator attribution and collection history.
Bodhisattva Guanyin at the Cleveland Museum of Art: 581–618, gilt bronze. Explore the work's context, creator attribution and collection history.
Reclining Water Buffalo at the Cleveland Museum of Art: 1642–1722, Jade. Explore the work's context, creator attribution and collection history.
Gold Weight (abrammuo): Geometric Form at the Cleveland Museum of Art: 1800s, Copper alloy. Explore the work's context, creator attribution and collection history.
Daniel in the Lion's Den at the Cleveland Museum of Art: c. 1125–50, limestone. Explore the work's context, creator attribution and collection history.
Bowl with Rattle Base at the Cleveland Museum of Art: c. 900–1519, earthenware with colored slips. Explore the work's context, creator attribution and collection history.
Standing Female Figurine at the Cleveland Museum of Art: 1200–400 BCE, ceramic with pigment. Explore the work's context, creator attribution and collection history.
Landscape with a Church by a Torrent at the Cleveland Museum of Art: c. 1670, oil on canvas. Explore the work's context, creator attribution and collection history.
Pinnacle with Angel (pair) at the Cleveland Museum of Art: c. 1340, tempera and gold on wood panel. Explore the work's context, creator attribution and collection history.
Pinnacle with Angel at the Cleveland Museum of Art: c. 1340, tempera and gold on wood panel. Explore the work's context, creator attribution and collection history.
Pinnacle with Angel at the Cleveland Museum of Art: c. 1340, tempera and gold on wood. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at the Cleveland Museum of Art: c. 1490–95, oil on wood. Explore the work's context, creator attribution and collection history.
Carpet at the Cleveland Museum of Art: 1500s, senna knot: wool and cotton. Explore the work's context, creator attribution and collection history.
Fragment with Inscription at the Cleveland Museum of Art: before 1962, Silk: lampas weave. Explore the work's context, creator attribution and collection history.
Tuti-Nama (Tales of a Parrot) at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gol
The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on pa
The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, from a Tuti-nama (Tales of a Parrot): Third Night at the Cleveland Museum of Art: c. 1560, gum tempera, i
Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's c
The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's co
The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collectio
The soldier receives a garland of roses from his wife which will remain fresh as long as she is faithful, from a Tuti-nama (Tales of a Parrot): Fourth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explo
The two cooks, who attempt to seduce the warrior’s loyal wife, are trapped by her in a cellar, from a Tuti-nama (Tales of a Parrot): Fourth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work
The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, from a Tuti-nama (Tales of the Parrot): Fourth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the wor
The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator at
The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's co
Page from Tales of a Parrot (Tuti-nama): text page at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's conte
The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's con
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collec
Seven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, from a Tuti-nama (Tales of a Parrot): Sixth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explo